/ Imaggen Art

Cada serie es un argumento visual completo.

Investigaciones sostenidas, no tomas dispersas. Tres series. Un punto de vista coherente.

Narrow vertical frame, a single shaft of direct sunlight cutting diagonally across an otherwise pitch-dark interior wall, the boundary between light and shadow razor-sharp, monochrome tones, high contrast, no subject other than light itself
Narrow vertical frame, a single shaft of direct sunlight cutting diagonally across an otherwise pitch-dark interior wall, the boundary between light and shadow razor-sharp, monochrome tones, high contrast, no subject other than light itself
Looking straight up at the underside of a brutalist concrete overpass, repeating rectangular grid of beams converging to a vanishing point, sharp geometric lines, overcast even light, no people, purely formal composition
Looking straight up at the underside of a brutalist concrete overpass, repeating rectangular grid of beams converging to a vanishing point, sharp geometric lines, overcast even light, no people, purely formal composition
Wide interior of an empty waiting room, rows of vacant chairs receding into depth, flat diffuse window light from the left, pale walls, absolute stillness, no human presence, quiet desolation
Wide interior of an empty waiting room, rows of vacant chairs receding into depth, flat diffuse window light from the left, pale walls, absolute stillness, no human presence, quiet desolation
— Series en curso

Tres investigaciones visuales.

Luz & Sombra

Geometría Urbana

Silencio

La frontera entre la luz y la oscuridad como único tema. Continuidad sobre variedad.

Estructuras construidas leídas como argumentos formales. La ciudad como repertorio geométrico.

Espacios fotografiados por lo que falta. La ausencia como sujeto principal de la serie.

Punto de vista

Cada serie se trabaja hasta que no queda nada más que decir sobre ella. La coherencia interna es la condición mínima, no un mérito adicional.

Un tema no es un recurso estético.